I drove over 300 miles yesterday to photograph migrating sand hill cranes.
My trip was at least a week too soon. The few live cranes I saw were
far in the distance. My final stop was the Crane
Trust's Nebraska Nature & Visitor Center near Grand Island I should have gone
there first. There were cranes everywhere. There were metal crane
sculptures at the entrance. There were stuffed cranes in glass cases,
crane bean bags, crane cups, crane paintings,
crane books and crane photos.
Some of the photos were amazing. Two
of them caught my eye. One was a crane flying at dusk. The other was
of several cranes silhouetted against the moon. This second photo made
me smile. It reminded me of a similar photo
that I entered in my first photo contest.
The
time was many years ago and the place was Monterey California. There
was an interesting tree a few blocks from our apartment. Every time I
passed it I knew that it belonged in a photo.
I took a few photos of it silhouetted against the sky and realized that
this amazing tree was surrounded by too much clutter. Successful
photography requires patience. I kept my eye on an interesting tree in
Monterey, waiting for the perfect moment. It
never came. A year later, I photographed the full moon and created an
image that looked like nearly every photo of the moon. Inspiration
struck in the darkroom. I exposed the Alabama moon on my paper, changed
the negative and then exposed the California
tree. When I entered my very first photo contest, I used this image.
It won Best of Show.
It
isn’t easy to photograph an object silhouetted against the moon without
resorting to creative darkroom techniques or Photoshop. The earth
rotates so the moon a moving target. You need
a clear field of view in front of the silhouetted object – sometimes a
mile or more. The sky behind the object needs to be clear from the
earth to the moon. While much of of this can be planned in advance, it
remains a challenge.
It’s
nearly impossible to plan the silhouette of an object in the sky
against the moon. It has to be directly between you and the moon. The
odds of this happening are small so patience and
luck is required. Yesterday was my lucky day! The sky was clear, the
moon was out and geese were flying everywhere. All I needed to do was
to put my camera on a tripod, focus on the moon and wait for the geese
to be in the correct position.
The
results were disappointing. Both the moon and the geese were sharp to
my naked eye. The camera saw a sharp moon but the geese were out of
focus. I changed my technique to focus on the
geese instead of the moon. I liked the results with sharp geese better
than those with out of focus geese. The scene with an out of focus
moon is more believable. With the moon and focus under control, I could
concentrate on the pattern of groups of geese
and the position of their wings. These images were improved but not
very exciting.
I
watched a person judge a photo contest a few years ago. He was trained
by the Photographic Society of America. He had a system to score each
photo based on points awarded for each objective
criteria. The photo of the silhouetted cranes would have scored
extremely well using his system. It was sharp, interesting and well
composed. The photo of the crane flying at dusk would have scored near
the bottom. It was dark, grainy and blurred
.
I
wasn’t judging a photo contest, but I scored the two images in another
way. I rejected the composite with cranes in front of the moon because I
knew that it was impossible. Its flaws ruined
it for me. I purchased the crane flying at dusk - It was the cover of a
book - On Ancient Wings by Michael Forsberg. The image is dark, grainy and blurred. I’ve
photographed cranes on cold dark mornings. This photo had all the
elements necessary to take me back to the sights
and sounds of that place and time.