Saturday, February 18, 2012

Reikan FoCal - I Recommend It


Micro adjustment is a feature that that was developed a few years ago.  It is supposed to allow the user to fine tune exact focus when their camera is using a specific lens.   It seemed like an exciting feature when the ID Mark III was announced.  However, the 1D Mark III had so many more problems with focus that wasn't consistent that Micro adjustment was a waste of time.

Canon partially addressed the issue with the 1D Mark 1V by crippling the ability to focus on an exact spot.  When you tried to focus on the center, little invisible helper sensors assisted.  This is very frustrating when trying to photograph a bird that is surrounded by nearby branches.

The 5D Mark II also has the feature but once again Canon decided to reserve its finest autofocus for only the top tier cameras.  The future isn't bright, instead of improving the IDX focus, Canon has decided to not even try to focus at f8.

Canon continues to offer micro-focus as a feature.  They have been extremely vague about how it works or the best way to use it.  They have never offered any software to help make the process accurate and repeatable.  For example, you cannot bracket focus using the technique.

No consensus of a best micro adjustment technique has developed over the years.  The recommended distance for testing makes it extremely difficult to tell if you have the best focus or not.  It can take hours to find the correct adjustment for a single lens.  A cottage industry has been spawned to supply micro-adjustment tools - Lens Align has been the most popular.

When I tested the technique, I was not able to produce repeatable results.  I couldn't convince myself that moving from Canon's original settings world be correct.  What if I use +10 and the actual value normally falls at +1?   I could end up making a lens that cost thousands perform like the cheapest lens available.  I decided not to risk it - if focus is critical I may be able to stop down or use live view.

I discovered FoCal this week and paid for a copy.  It is on a PC that is tethered to the camera.  It automates setting the micro adjustment and compares a series of photos to the original setting.  It decides which image is best and adjusts the camera accordingly.

In the last 24 hours, I've tested 13 lenses.  Since zoom lens require more than one test, I've made 21 tests in all.  The reports that FoCal produces have proved to me that while the focus produced isn't totally consistent, overall adjustments can be made that will result in consistently sharper photos.  The results also convinced me that one of my lens needs professional help from Canon.  The reports are stored on my PC so I can compare results with any new tests I make.

I don't have an area long enough to test any lens 400mm and longer.  I cheated and tested the 400mm lenses a little closer.  I'll need to overcome this problem soon because I use the long glass on a regular basis.

The author of the software has a list of future new features that will make this software even more useful.  It isn't on the list but making this an Android App would be wonderful.

The ultimate test will be in the field.  My biggest adjustment is -16.  As of today, the 5D Mark II will use that setting.  I plan to test the setting manually to verify that -16 is actually better than 0 in the real world.

Sunday, February 5, 2012

Snow Covers the Fontenelle Forest Wetlands.

One of my personal projects this year is to document the recovery of wetlands of Fontenelle Forest.  I visited for the first time in 2012 and found the situation even worse than I remembered.  The green plants and animals were gone and the trees that were still standing were probably dead and about to fall.  The forest was ugly.

 I returned to the wetlands in February during a snow storm.  What a difference.  The snow made me realize that the ugly was skin deep.  The healing has begun and the wetlands will soon shed the new coat of snow and the green shoots and leaves will return along with the birds and bees.









The forest was spooky during my visit.  The snow clinging to branches stresses the weakened limbs.  Creaks and groans surrounded me and branches crashed to the ground.

I planned to practice HDR (High Dynamic Range) photography this weekend.  I took 7 exposures of each of the photos above and merged them in PhotoShop or Photomatix.  The snow scenes were anything but high contrast but I did find that the technique helped retain some detail in the dark shadows on the trees.


Snow Birds

I photographed some birds on my deck today.

   White-breasted Nuthatch


European Starling





House Sparrow



Dark-eyed Junco

The groups of birds that visited the feeder scattered as soon as I appeared.  I tried a number of different approaches.  I started with a 600mm lens and moved to a 400mm lens.  I tried natural light and tried a flash fill (on camera  and radio controlled through a window).  I was outside for some and shooting through the window for others.

I discovered that fill flash from inside my home didn't bother them much but fill flash from the outside chased them away every time. Even the sound of my camera bothered them outside.

When I have another opportunity,  I plan to set up a blind on the deck.  I think I can sneak into it out of the birds field of view from my screened in porch.  My ultimate goal is to photograph the birds so that they appear to be somewhere other than by my feeders.

Winter Wonderland


Nebraska isn't known for mild winters.  We have months of subzero weather with intermittent blizzards. This winter has been an exception - at least until yesterday.  Fourteen inches of snow were on the ground by the time the storm was over.  Still the transition was gentle - the snow fell so softly that it stuck to the branches and transformed the neighborhood into a winter wonderland.

Sunday, January 15, 2012

Henry Doorly Zoo

I photographed animals in the Henry Doorly Zoo Lied Jungle today.  It is my only opportunity to photograph many of the species that are on display.

The Lied Jungle is very warm and humid - quite a contrast to the January weather outside.  My glasses fogged over immediately.   It takes quite a while for a cold camera lens to acclimate to the heat o keep  your camera warm or be prepared to wait.

The light in the main exhibit is natural.  During the dark and dreary winter, shooting with natural light is a challenge.  Many of the animals are in a large exhibit area so a longer lens is required.  I used a 200mm and kept it on f2 most of the time.  ISO 640 was as low as I could go and my shutter speed was usually less than 1/125th of a second.


This shrew wasn't easy to photograph.  I had to shoot through wire and the enclosure was relatively dark.  His nose was in constant motion.

Eye contact is important.
Zoo photos are more interesting when you capture behavior as well as the animals.





A Gray Day


I visited the wetlands of Fontenelle Forest for the first time in 2012.  It was a beautiful January afternoon in Nebraska - nearly too warm for the sweatshirt I was wearing.  I didn't bother with my telephoto lens because I didn't anticipate much wildlife.  My 24-105mm lens was more than adequate to record the aftermath of the 2011 flooding.

What is left of the boardwalk is buckled and covered with mud.
 
The flood waters receded several months ago.  The landscape is significantly different than it was a year ago.  The underbrush is nearly completely gone.  There isn't much color or contrast.  Everything is a shade of gray.

 

 I didn't see a single animal.  There isn't any food for them here this winter.   I did see a little evidence of beavers and a few raccoon tracks.  Several wild turkeys had left tracks in the mud as well.  I heard several birds - they will need to look for seeds to eat somewhere else.

The  receding waters uncovered piles of garbage deposited at some point in the historical past.







Monday, January 2, 2012

Not Having a Plan is Planning to Fail



"You have brains in your head.
You have feet in your shoes.
You can steer yourself
any direction you choose.
You're on your own.
And you know what you know.
And YOU are the one who'll decide where to go."
                                                        Dr Suess

Shoots and Leaves bend toward the light in order to grow.  I can control the direction I grow as a photographer by setting goals.  If I allocate time to these goals I'll have the opportunity to create specific kinds of images.  I've set an ambitious goal for 2012.  I want to spend 100 photographic sessions directed toward seven specific goals.

1.  I will control light. Throughout this year I'll incorporate "Strobist Skills" into my photography.  I'll utililize high sped sync during the day, flash at sunset, painting with light at night, and multiple radio triggered flashes.  I cannot make outstanding images without knowing how to use light.

2.  I will explore my own backyard.  I'll see what is going on just outside my home. Birds and bees and flowers and trees.

3.  I will explore a region.  The Platte river crosses Nebraska.  I will photograph the landscape and  wildlife.  In addition to the Sandhill crane migration, I'll look for everything from prarie chickens to prarie dogs.  

4. I will explore my world.  My vacation this year will be a trip to Israel.  I plan to put emphasis on landscapes and  architecture.  I'll be on a tour so I will not be able to control the time or place.   I plan to use High Dynamic Range and selective focus techniques to make my photos outstanding.

5.  I will photograph remnants of the ancient prairies that remain in Iowa and Nebraska.  I'll show them at different times of the day and year.  I'll photograph the plants and animals I find living there.

6. I will focus on a recovering environment.  The wetlands area of Fontenelle Forest was devastated by flooding last spring, summer and fall.  I'll document how this environment recovers during 2012.

7. I will focus on a new life.   I'll find a random baby and document her cuteness throughout her first year.
   
I set the goal of 100 photographic sessions because in  2011 I only used my camera on 100 different days.  One hundred photographic sessions dedicated to focus my creative skills on these goals is a very ambitious plan.  I can spend about 14 sessions on each, so  I certainly will not exhaust any of the subjects.  

"You have brains in your head.
You have feet in your shoes.
You can steer yourself
any direction you choose.
You're on your own.
And you know what you know.
And YOU are the one who'll decide where to go."

2012 has arrived and I can't let the good Dr Suess down.   Follow this blog throughout the year to see how I'm doing.